![]() ![]() Bisson The Cambridge Companion to Chopin edited by Jim Samson CAMBRIDGE UNIVERSITY PRESS CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao Paulo Cambridge University Press The Edinburgh Building, Cambridge CB2 2RU, UK Published in the United States of America by Cambridge University Press, New York Information on this title: © Cambridge University Press 1992 This publication is in copyright. Winterhalter 1838, detail from a portrait by Eugene Delacroix, Musee du Louvre, Paris 1849, from a photograph by L. ![]() ![]() The Cambridge Companion to Chopin Images of Chopin 1836, watercolour by Maria Wodzinska, painted in Marienbad 1847, pencil drawing by F. Chopin's influence on the fin de siecle and beyond Roy Howat Appendix: a historical survey of Chopin on disc James Methuen-Campbell Notes List of Chopin's works Bibliographical note Index. Victorian attitudes to Chopin Derek Carew 12. Chopin reception in nineteenth-century Poland Zofia Chechlinska 11. ![]() Chopin in performance James Methuen-Campbell 10. Small 'forms': in defence of the prelude Jeffrey Kallberg 7. Extended forms: the ballades, scherzos and fantasies Jim Samson 6. Tonal architecture in the early music John Rink Part II. The twenty-seven etudes and their antecedents Simon Finlow 4. The nocturne: development of a new style David Rowland 3. Piano music and the public concert, 1800-1850 Janet Ritterman 2. Table of contents : Chronology Myth and reality: a biographical introduction Part I. ![]()
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